First generate a main visual based on a future theme that can be strongly cropped and a set of theme text, the first glance must be a black and white coarse-grained subject pressed onto a large area of high-saturation warm-colored information blocks, like image proofs and low-fidelity design drafts being directly collaged onto the same print; the upper subject is treated with high-contrast black and white, the dark parts become solid black blocks, and the bright parts are manifested by dense dot halftones and a small amount of white edge lines, the outline does not seek completeness, relying on edge cropping, partial occlusion, and diagonal arcs to create a sense of movement; the lower information area uses flat and intense color blocks for weight, the text adopts a monospaced typewriter construction, the character spacing is loose, and underlines and line breaks become the rhythm, the main title is horizontally lowered close to the upper edge of the color block, and auxiliary information can be arranged vertically along the edge or in narrow columns, forming an engineering label-like image reading path; add a slightly rotated light-colored small piece of paper or grid label in the picture, covering the vicinity of the junction between the color block and the subject, using the white of different materials, thin line grids, and tilted angles to break the hard division; the overall look retains the grittiness of scanning noise, dot clogging, slight dirt, and printing misalignment, do not include glass texture, refined gradients, soft shadows, commercial poster-style centered beautification, or arrange text into neat templates.