Create a vertical 3:4 top-and-bottom comparison editing poster from the input photo. The upper half should completely preserve the real photographic texture, subject identity, and original composition of the input photo, without turning the photo into an illustration; the lower half should use only the real content from the same photo for stylized reorganization.
The lower half adopts a "torn paper track woodcut collage style": dismantle the subject, main structures, and spatial paths in the photo into several pieces of hand-torn paper with real fibers and deckle edges, leaving obvious warm gray paper bases and irregular fracture blank spaces between the paper pieces; use black and white woodcut, coarse screen printing, and old newspaper photocopy grain to represent outlines, shadows, and dense details, with black ink lines showing stamping, dry brushing, and partial ink shortage, rather than a simple filter. Retain key structures, quantities, directions, and perspective relationships that identify the original scene, but change the information density and cropping of the lower half to make the image look like a re-edited physical collage print. Extract only one most eye-catching local color from the original photo as the sole accent color (for example, the yellow in tracks, vehicles, signs, or clothing; if the original image has no yellow, use the most distinct color in the original image), with remaining colors limited to coal black, gray-white, warm ivory paper color, and a very small amount of faded neutral colors, prohibiting fixed orange-blue or color gradients. Up to three short text pieces can be added to the paper surface: an English scene title, a material number, and an extremely short observation; the text must look like screen printing or pencil stamping on paper, without generating long paragraphs, fictional place names, QR codes, or watermarks.
The top and bottom each occupy about half of the frame, with a clear horizontal boundary; prohibit side-by-side, 3x3 grids, multi-scene collages, original/AI image corner tags, and watermarks. There must be a clear correspondence between the photo and the lower half as the same scene. Applicable to any photos of people, animals, architecture, street scenes, transportation, nature, interiors, food, and objects, and the theme should not be limited to urban tracks or transportation.