东方纤维美学：大色域与微缩文化叙事

{
  "Poster_Theme": "[海报主题]",
  "Main_Title": "[主标题]",
  "Core_Large_Color_Field": "[核心大色域]",
  "Main_Color_Tone": "[主色调]",
  "Miniature_Cultural_Scene": "[微型文化场景]",
  "Core_Action": "[核心动作]",
  "Cultural_Artifacts": "[文化器物]",
  "Activity_Information": "[活动信息]",
  "Aspect_Ratio": "9:16",
  "Design_Concept": "Design a cultural activity poster with modern Eastern editorial aesthetics, using 'paper fiber + large color field + active white space + miniature cultural scene' as the core visual method.",
  "Background_Specifications": "Background uses warm, clean ivory handmade paper, preserving extremely light natural fibers and fine pulp texture. The composition actively retains about 45%–60% large-area white space, making the void itself part of the composition, without filling the background with landscape, plants, architecture, or decorative elements.",
  "Visual_Subject_Large_Color_Field": {
    "Area_Ratio": "25%–40%",
    "Form": "Expressed as a curtain, nested layer, long scroll, thin paper, pulp, artifact structure, or other abstract large shapes based on [Poster_Theme], not an ordinary realistic object.",
    "Material_Texture": "Real and high-end handmade paper material feel, including natural long and short fibers, pulp particles, watercolor or mineral pigment deposits, large-scale natural color differences, slight indentations, natural deckle edges, and matte surfaces. Rich but clean and complete, no dirt, yellow spots, severe damage, random mottling, strong noise, or cheap retro effects."
  },
  "Color_System": {
    "Overall_Tone": "[Main_Color_Tone]",
    "Constraint": "Restrained color quantity, low saturation but complete and concentrated color surfaces. Avoid faded, hazy, or old 'Eastern' clichés.",
    "Focal_Point": "One tiny cinnabar red seal or a very small warm color node as a finishing touch, area controlled at 1%–2%."
  },
  "Miniature_Narrative_Scene": {
    "Area_Ratio": "3%–5%",
    "Composition": "Scale is very small but narrative is complete, featuring characters, desktops, tools, and artifacts. Viewers see large shapes and white space first, then discover characters performing [Core_Action] upon closer inspection."
  },
  "Character_Visual_Language": {
    "Style": "2D paper-based light color illustration language, consistent with the poster's paper and pigment texture.",
    "Face_Details": "Restrained lines and dots summarizing facial features, no real skin texture, pores, eye highlights, or photographic shadows.",
    "Body_and_Clothing": "Slight 2D shading for basic volume, clothing uses complete, low-saturation, matte flat color blocks with a few natural linear folds. Faint sticker-contact shadow under feet.",
    "Negative_Constraints": "Prohibit photographic realism, 3D miniature model feel, CGI volume, plastic skin, cinematic lighting, strong rim light, photographic depth of field, and strong projection."
  },
  "Artifacts_and_Integration": {
    "Execution": "Small number of [Cultural_Artifacts] participating in character actions, no neat product displays or cluttered workbenches. Paper-based light color and light Gongbi texture."
  },
  "Scale_Connection": {
    "Mechanism": "A clear but restrained visual link between the miniature scene and huge main visual using a zither string, puppet rod, fiber, lacquer line, paper edge, tool trajectory, or other thin lines.",
    "Requirement": "Real starting point, complete movement, and clear end point; no floating, breaking, or meaningless decoration."
  },
  "Typography_and_Information_Hierarchy": {
    "Main_Title_Style": "Placed in large white space, using slender, upright modern Eastern Songti or Mingti fonts. Medium to small scale, not huge Typography, as the second visual level.",
    "Information_Layout": "Tiny English activity category above the title, short Chinese subtitle below. Date, location, and [Activity_Information] arranged in edge white space with smaller font sizes, forming a professional cultural poster information hierarchy."
  },
  "Overall_Style_Synthesis": "Handmade paper collage, watercolor/mineral pigment texture, 2D paper-based light color illustration, miniature cultural narrative, and modern Eastern editorial design."
}