现代东方纸感微型场景编辑海报

[Poster Theme]
[Main Title]
[Core Large Color Gamut]
[Structural Method]
[Main Color Tone]
[Miniature Cultural Scene]
[Character Action]
[Cultural Artifacts]
[Event Information]
[Aspect Ratio]

Design a modern Oriental culture event poster, with "paper fiber + large color gamut + active negative space + miniature cultural scene" as the core.

The background uses warm ivory white handmade paper, retaining about 45%–60% large area white space. Use [Core Large Color Gamut] to establish the primary visual, forming a clear and methodical large-scale relationship according to [Structural Method]. The theme can be expressed through fiber radiation, paper cutouts, crack connections, positive-negative shape transformation, or rubbing marks, but do not directly create ordinary realistic objects.

The large color gamut has obvious natural paper fibers, pulp particles, watercolor or mineral pigment deposits, natural rough edges, and a matte texture. The overall style uses [Main Color Tone], colors are low-saturation but complete and dense; from a distance, the large shapes and color relationships are seen first, and material details are only discovered upon close inspection.

Add a very small scale [Miniature Cultural Scene] near the large color gamut, where characters are genuinely performing [Character Action]. Characters, tools, and [Cultural Artifacts] overall occupy only about 3%–5%, no staged poses or product displays.

Characters uniformly adopt a two-dimensional paper-based light color illustration style: simple facial features, light volume, complete flat color blocks, a few continuous clothing fold lines, belonging to the same visual world as the paper and color gamut. Avoid photographic realism, 3D miniature models, CGI lighting and shadow, strong projections, and real depth of field.

Establish a real scale connection between the miniature scene and the huge main visual, such as fibers, paper scraps, cracks, mending staples, ink marks, tool trajectories, or the material itself, allowing "small manual actions" to naturally extend into a "large color gamut structure."

The main title [Main Title] uses small-scale modern Songti or Mingti fonts, placed in the white space area; date, location, and [Event Information] use smaller font sizes for restrained layout. The text does not compete with the main visual, and no meaningless placeholder words are added.

The overall reading order is:

Negative space and large color gamut → structural relationship → paper fiber texture → miniature cultural scene → craftsmanship actions → title and event information.

The final presentation is an Oriental editorial poster that is eye-catching from afar, with a paper feel, details, and cultural stories upon close inspection.

Avoid giant titles, ordinary Chinese style illustrations, realistic characters, 3D miniature models, photographic backgrounds, PPT grids, commercial advertising feel, dirty old paper, random noise, CGI, glass or mirror materials, Logos, watermarks, numbering, and starburst decorations.